經典確立與創作建構——明清女詞人與李清照

The Set-up of Canon and Writing Construction:Female Ci writors of Ming-Qing and Li Qingzhao

明清之后，批评家公认李清照的词可以和词史上任何一个大家相提并论。明清女词人写作的时候，已经不再关心李的改嫁问题，可见她们在确立自己的创作经典时，关注的主要是词的文学体性。明清女词人对李清照的推崇，主要体现在两个方面：一是对其作品中的某些精彩语意的欣赏，一是追和其作品。明清的女词人或许没有什么具体的文学批评着作，但她们以自己的创作加入了对李清照形象的建构，这实际上也是一种文学批评，而在这一过程中，她们也建构了自己的形象，使人们从一个侧面看到明清两代女性文学的兴盛。

Critics of the Ming and Qing dynasties thought that Li Qingzhao was not only an outstanding female Ci-wsites but also the one whose works were as distinguished as other male-writers in the literary history. It was interesting that Li’s remarriage was not the point as before when the women poets of Ming-Qing were composing. It was important for them to examine writing canons by literary characteristics. As to Li Qingzhao, the Ci-writers of Ming-Qing appreciated the charming grace of her Ci-poems, and also followed her writing style. Though most women Ci-writers of Ming-Qing didn’t have critical writings, they set Li’s image by their own Ci writings and constructed themselves at the same time. All of these showed the flourish of Women’s Literature in the Ming and Qing dynasties.