意义性的建筑解构——解读王澍的《那一天》及“中国美术学院象山新校园”

Meaningful Deconstruction to Architecture——Reading Wang Shu's Two Products-New Xiangshan Campus of the Chinese Academy of Art and That Day

通过对王澍的建筑作品"中国美术学院象山新校园"与文本作品《那一天》的交叉阅读,试图厘清在中国传统思想和西方现代思想(特别是结构主义)的双重影响下建筑师的建筑"思"路,指出在传统从基础坍塌陷落为深渊的当今世界,意义性的建筑解构的出现在所难免。

According to the crossing-read of Wang Shu＇s two products-New Xiangshan Campus of the Chinese Academy of Art and That Day, the paper tries to find out the architectural ways of ＂thought＂ within architects that is exposed to the double influences of both the Chinese traditional thought and the western modern thought （especiallyStructuralism）. It is pointed out that the emergence of the meaningful deconstruction to architecture is inevitable today when the tradition is falling from fundamental breakdown to abyssal.