摘要
杨争光早期作品以好看的故事书写命运,探索人性,后期作品寻求历史的明晰和深刻。转型增强了作品的厚度,但却削弱了人性探索的深度,尤其忽视了女性意愿。这和作家自觉意识的推动以及时代语境的影响有联系。如何在自我突破中保持相对连贯性和复杂性,是作家面临的困惑。
Yang Zheng-guang's early works explore the human nature and reveal the destiny of people by good stories, but the later ones turn to make the history explicit and profound. The turn strengthens the width of novels, but weakens the depth of humanity exploring, overlooking the females' willingness especially. The change is related to the promotion of self-consciousness and the influence of the era. Maintaining continuity and complexity in breakthrough is the common dilemma challenging the writer.
出处
《北京理工大学学报(社会科学版)》
2007年第6期73-76,共4页
Journal of Beijing Institute of Technology:Social Sciences Edition
关键词
人
历史
转型
Person
History
Turn