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自由低音手风琴的引入与演奏复调音乐和探究

THE INTRODUCTION OF FREE BASS ACCORDION AND ITS USE IN THE PLAYING OF POLYPHONY
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摘要 改革开放之后,国际手风琴信息资源的传播和流入,将国际琴坛的主流导向"自由低音手风琴"展示给中国手风琴领域,并将演奏巴洛克时期巴赫复调音乐等引入一流音乐学府,引领了我国手风琴未来的发展趋势,带来了参与国际赛事的挑战机遇,缩短了我国手风琴与世界最高水平的差距,拉近了与国际接轨的距离。 Since the reform and opening up, the spread and inflow of international accordion information into China has displayed for China' s accordion field the mainstay of international accordion, the free bass accordion, and it introduces the play of Bach' s polyphony in Baroque Period into the first-class music schools. It leads the future development of accordion in China and brings the challenge of entering for international contests. In the meantime, it not only narrows the difference between China' s level of accordion performance and that of the international but also shortens the distance to catch up with the international level.
作者 张琴
出处 《内蒙古师范大学学报(哲学社会科学版)》 2007年第6期136-139,共4页 Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
关键词 手风琴 自由低音 185琴 键盘琴 键钮琴 发展趋势 复调的探究 accordion free bass 185 accordion keyboard accordion keybutton accordion development polyphony
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