摘要
中国古典美学的见解中一直强调审美的最高境界是率性而为。元代曲家于困境和焦虑中,用以天真率意为旨归,融大俗大雅于一体的绝唱"我大元乐府"去体察和表现美。曲家所感受的焦虑、怨愤、痛苦、欢乐和内心所必须担当的使命,使他们不断地以创作去呼唤人生价值的意义,通过赋曲运思,通过审美之径,去感悟人生生命意蕴之所在,并在唤醒自己之时也在唤醒着他人,而走向"诗意的人生"。
China classilal aesthetil opinion always think that the hightest level of the ability of comprehend beauty is straight Yuan qu experts were In hell and anxiousity. Their wprds' themeare naturalism those words' content including elegant omdpop eletnt, bythose worlcs they intend to use our bigyuan yuefu display and obsene beauty Yuanqu exrerts' hearts are full of anxiety, pain pleasure and time' smission, all those feeling are became their creatiue passion yuanqu expeuts by their works to search for new human being's value by Yuanqu'stnllture and the ability of comprehend beewoty people can learn life' s value Yuan qu experts' action not only uake themseues but also wahe others, bytheir hard woyk we can come into a"poetillife"
出处
《内蒙古民族大学学报(社会科学版)》
2007年第6期44-47,共4页
Journal of Inner Mongolia Minzu University:Social Sciences
关键词
散曲
审美情结
率性而为
Sanqu
The feelingaout beauty
Styalght