吴镇诗歌声律学发微

Study on Wuzhen's Theory about Chinese Ancient Poetic Rhythm

诗歌声律学为中国古典诗歌理论的一个重要方面,自齐、梁以来备受人们的重视,但也歧见纷出,莫衷一是。清初顾炎武、李因笃、毛奇龄等人潜心研究古诗音韵,取得了卓越的成就。此后各种研究诗歌声律的著作也层出不穷,尤以王士禛和赵执信最为著名。吴镇深入研究前人的理论成果,并根据自己的创作实践,著有《声调谱》和《八病说》两部声律学研究著作,解决了诗歌声律研究中的一些重大难题,并提出了新的理论见解,为诗歌声律学作出了卓越的贡献。

Poetic rhythm study is an important aspect in the thoery of Chinese classical poet from Qi and Liang, poetic theorists have been paying more attention on it. Howevergtheir views were different. At the beginning of Qing Dynasty,Gu Yun--wu, Li Ying--du,Mao Qi Ling and some others emmersed themselves into the strdy of poetic rhythm and got great achievment. After that gmore and more works about poetic rhythm appear9 and of all writers Wang Shi-zheng and Zhao Zhi-xing are the most famous. Wu Zhen went deep into previous poetic rhythm, at the sametime, on the basis of his poetic creation , wrote Shen Diao Pu and Ba Bing Sh uo , solving some important problems about study of poetic rhythm, and contributed great to the study of poetic rhythm.