高尔泰的“自由美学”再认识

Evaluating the "Liberty Aesthetic" of Gao-Ertai Again

在高尔泰的美学思想体系中,"自由"是其论说的重点。正是在"自由"的界定及相关论述中,我们发现了其中存有的深刻内在矛盾和冲突:当他从那个时代流行的哲学体系出发对"自由"概念进行论证时,高尔泰明显表现出了他的时代局限性,即以为"自由"不过是"认识和把握了的必然性";而一旦离开了哲学语境,高尔泰从他的真实感觉出发来书写,则充满了对"自由"的多样性及其现实实现的热切向往和赞歌。拨开历史迷云的遮蔽,当我们深入到其体系内部对其进行考察时,我们发现了高尔泰美学思想的深层基础,及其对中国当代美学的独特贡献。

In the aesthetic system of Gao ertai,＂ freedom＂ is the focus of the argumentation ,Just from the definition and related argumentation on ＂freedom＂ by Gao ertai, the intrinsic contradictions and conflicts occuring deeply in it can be found. In the demonstration of the conception of ＂freedom＂ from the popular philosophic system in his age, Gao ertai obviously represents the limitations imposed by his time, that is, he regarded ＂freedom＂ as ＂ the inevitability recognized and grasped＂. Once devoid of the philosophic context, Gao ertai wrote from his real feelings and his creations are full of earnest expectation and praise about the diversity of freedom and its practical realization. Unveiling the cover of historical puzzle to examine this preposition by exploring the internal element of its system, we can find the profound ground of the aesthetic ideas of Gai ertai as well as the particular contributions to contemporary Chinese aesthatics.