宋词中“玉笙”意象研究

"Yusheng" Images in Song Poetry

笙本来是一种乐器,本身并不具有构成一种文学意象的条件,但是在文学发展的过程中,"笙"和特定的词(字)相结合,渐渐构成了一种具有独特内涵的意象。在对文学作品进行解读的时候,我们通常简单地将其注为一种乐器,而没有注意到它作为一种意象存在的文学意义,这就人为地破坏了这一意象的深层意蕴,使文学作品含蓄蕴藉的意味消失殆尽。本文主要讨论宋词中的"玉笙"意象,通过对"玉笙"意象生成的溯源,分析"玉笙"意象的内蕴,并对前圣先哲关于"玉笙"的相关注法提出一些自己的看法。

Sheng was originally a musical instrument, which doesn＇ t contain a literary images. However, in the process of literary development, ＂Sheng＂ combined with the specific words gradually constitute a unique combination of image content. For the interpretation of literary works, we usually simply noted it as a musical instrument, and failed to recognize it as a literary significance of the imagery, which damaged the image of the deep meaning and vanished the implicit meaning in the iterary works. This paper mainly discusses the ＂Yusheng＂ visions of ＂Yusheng＂ image in Song Poetry, and analyzes ＂Yusheng＂ in the sultry image, and make some personal views on ＂Yusheng＂ note rendered by the former stages.