民间艺术展演文本的后现代特质

Postmodernism Characteristic of Folk Art Performance Text

民间艺术展演作为当下中国广泛可见的审美文化文本,是一种受制于全球化消费文化观念影响而勃然兴起的文化现象,其文本特征不可避免地在外显形式和内在结构上凸显后现代意蕴。这是一种具有典型后现代特质的审美文本。该审美文本的生成是民间传统艺术于消费社会中对后现代文化逻辑的回应而进行文化重构的结果,在结构组合上,表现出以去生活、去语境的方式将作为生活样式的民间传统艺术符号进行符合消费主义文化逻辑的拼贴、重装和压缩,具有鲜明的混杂体结构特征;在审美特征上,表现出全球化想像、原生态悖论和审美范式转型的后现代审美意义。

The folk art performance text, as the obvious esthetic text in current China, is one kind of flouring cultural phenomenon which is restrained by the globalization consumption culture. It inevitably has the pestmodernism characteristic form the apparent to the intrinsic structure. Its production is the result of reconstruction of response of traditional folk art on the culture logic of postmodernism in the consumption society. Its structure is collaged, re - constructed and condensed of traditional folk art form by way of de-lives, and de-context, which embodied promiscuous characteristic. Esthetically, it has the pestmodernism esthetic significance of globalization imagination, the primary condition paradox and the esthetic paradigm transformation.