后现代思潮中的女性主义摄影

Feminist Photography in Post Modern Environment

女性主义摄影是19世纪后半叶萌发的女性主义思潮在摄影艺术领域的投射和共鸣,它不能简单等同于女性摄影师的作品。20世纪50年代后现代主义艺术的发展又给女性主义摄影艺术注入了新的活力,后现代思潮与女性主义理论相互作用促使后现代思潮中的女性主义摄影具有质疑传统的宏大理论体系、反对两分法划分性别的思维模式、模糊两性之间的界限、创建女性话语系统等特点。

Feminist photography is a result of feminism thoughts which effects on photography, and it isnt equal to the works of female photographers. The boom of Post Modern art during the 1950s has invigorated feminist photography; and the interaction between postmodern thoughts and feminism has rendered feminist photography carrying such characteristics as follows： it questions the traditional system of grand theory; opposes the thinking mode of dividing the sexes by the law of ′one divides into two; blurs the distinction between the sexes; and con- structs a feminist discourse system.