香港娱乐电影的后现代主义体验

Postmodernist Experience of Hong Kong Recreational Films

20世纪90年代以来,后工业社会下的国际大都市香港出现了不少具有后现代主义特征的影片。这些作品多以边缘人为主要关注对象,以一种较为激进的方式,怀疑、弱化、反叛并消解了传统,以黑色幽默,讽刺,夸张,戏谑等为主要表现手段,颠覆了传统电影表现模式,传达香港人特殊的都市文化心理,形成了深度平面化、主体零散化、价值多元化等明显带有后现代主义特征的电影风格。

Since 1990＇ s, many films with characteristics of postmodemism have appeared in international metropolis Hong Kong in the postindustrial society. These works take edge people as the main object concerned. They suspect, weaken, rebel against and clear up the tradition in a comparatively radical way. With the principal means of black humor, satire, exaggeration, giff-gaffr etc, they display the postmodernism film mode by subverting traditional films and transnfit Hong Kong people＇s special psychology of city culture. The characteristic of postmodemism film style is obviously of deep complanation, subject scattering, value pluralism, etc.