摘要
水彩艺术,历经几代人的努力——借鉴东西方水彩画传统,使东西方水彩艺术融合,形成相互补充的态势。近年来我国的水彩艺术虽然取得了较大的发展,但和其他画种比较而言,仍处于"边缘化"。中国水彩画在借鉴和继承西洋水彩画传统精华的同时,只有立足于本土文化,将东方传统艺术精髓融入水彩画艺术语言,才能使水彩画成为一门真正的"临界艺术",水彩画才有可能在我国得到更大的发展。
The endeavor to draw on both Chinese and Western traditional watercolor paintings on the part of a number of generations makes these two kinds of watercolor art integrated and mutually complement. Compared with other paintings, China's watercolor art, despite its great development in recent years, still remains marginalized. Learning from and inheriting the traditional essence of western watercolor painting is of significant importance to the growth of China' s watercolor painting. Meanwhile, it is the native culture and traditional characteristics that render China' s watercolor painting into a critical art with more progress.
出处
《南京工程学院学报(社会科学版)》
2007年第3期11-14,共4页
Journal of Nanjing Institute of Technology:Social Science Edition
基金
南京工程学院科研基金项目"水墨与水彩的比较研究"(KXJ07019)
关键词
水彩
水墨
融合
发展
watercolor painting
wash painting
integration
development