摘要
从心理学和社会学分析,母女之间亲密的"共生"关系,是社会关系中的一个特指,并具有深度的人性和文化内涵。"共生"导致女性在潜意识中对母亲的依赖以及个体逃离这种关系的艰难;而母亲形象由于受到几千年父权文化的建构,具有了双重的属性,在父权体制中起着辅助性的功能。让母亲发出属于自己的声音,让女儿从母亲的庇护下解放出来并获得个体和精神的真正独立,是影视作品女性意识建设的新课题。
Psychologically and sociologically, symbiosis between mother and daughter is a specific reference in social relations, connoting deep humanity and culture. The symbiosis means that a daughter unconsciously depends on her mother and is bound by the relationship, while a mother plays a function of an assistant in the long paternity culture, which gives mother double attributes. To wake feminine consciousness of film-and-television works is to let the mother speaks what she wants and to free the daughter from her mother's care to be independent, both physically and mentally.
出处
《上海大学学报(社会科学版)》
CSSCI
北大核心
2008年第1期15-19,共5页
Journal of Shanghai University(Social Sciences Edition)
关键词
母女形象
“共生”关系
父权
建构
女性意识
images of mother and daughter
symbiosis
paternity
construction
feminine consciousness