摘要
在共和国建国初期的50年代,邵燕祥的诗是以热烈奔放、赤诚纯真而赢得人们的赞美的。然而,作为一位正直的诗人,他不愿违背自己的良知,被讥为不识时务。诗人因此获咎。诗人复出后,创作风格有很大的变化。由激情趋向冷峻,由一位乐观向上、热情奔放的诗人一变为善于思索、富有理性美质的诗人。
In the 1950s, not long after the foundation of new China, when people are wild about singing the praises of the ruler, SHAO's poetry is fervent and heroic, which is incompatible with the then flattering style. He thereupon faces kinds of censure because of his sticking to conscience and truth and has to seclude himself. He restarts his poetry with great changes in the creative style, which becomes tranquil and rational.
出处
《上海大学学报(社会科学版)》
CSSCI
北大核心
2008年第1期115-119,共5页
Journal of Shanghai University(Social Sciences Edition)
关键词
激情
冷峻
豪气
婉约
fervency
tranquility
heroism
Atticism