摘要
《山海经》中神祇的佩饰文化,主要表现在头饰、胸饰、手足饰等方面。佩饰文化的点缀,不仅使《山海经》中的神祇曾因"异类整合"和"畸形成体"形象而致的怪诞、恐怖氛围转向世俗化、人性化,而且为我们更好地发掘和理解早期人类社会的文明状况提供了客观条件。
The wear decoration of gods in Shanhaijing mainly performed in headwears, chestwears, handwears, feetwears and so on. The use of wear decoration, not only turned the weird and terror atmosphere of gods which caused by the image of heterogeneous integration and adult deformity to secular and humanistic, but also provided conditions for us to explore and understand the civilization information of ancient society better.
出处
《青海民族研究》
北大核心
2008年第1期169-172,共4页
Qinghai Journal of Ethnology
基金
四川大学"985工程"文化遗产与文化互动新基地"中国俗文化"研究方向成果
