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象形会意与中国传统创作方法

Pictogram,Associative Compounds and the Chinese Traditional Pattern of Writing
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摘要 象形造字思维直接孕育了现实主义创作方法的基本特征,会意思维则造就了源于老庄的浪漫主义创作方法的基本特征。儒家多倾向象形思维,道家倾向会意思维,象形与会意思维互补运用,便造就了现实主义与浪漫主义因素结合的传统。 As the Chinese traditional and the most original way of thinking, pictographic characters thinking directly shaped the national characteristics of realistic pattern of writing; and the thinking in associative compounds created romantic pattern of writing based on Laozi and Zhuangzi; Generally, the Confucian is in favor of pictographic thinking, and Taoism is in favor of the thinking in associative compounds, the two complement each other and created the combination of realism and romanticism.
作者 岳山岳
出处 《湖南广播电视大学学报》 2007年第4期50-53,共4页 Journal of Hunan Radio and Television University
关键词 象形 会意 思维 传统创造方法 pictogram associative Compounds thinking traditional pattern of writing
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