三星堆文化与美学研究

The Sanxingdui culture and aesthetic studies

三星堆文化以其丰厚内涵、独特风貌举世瞩目,但面对这一“内隐的美学”现象,美学研究基本“失语”,造成其有“美”无“学”。究其原因,是由于学界长期以来重文献研究而轻文物研究、重周后的研究而轻周前的研究、重上古中原文化的研究而轻上古周边文化的研究。实际上,三星堆文化与殷商文化迥然有别,呈现出“张扬之美”,对其展开审美透视,可为华夏美学的多元共生提供发生学证明,给华夏美学增添新的篇章。

The Sanxingdui culture,worldwide known for its long history and unique style and features,has achieved great archaeological success.However,there have been little systematic aesthetic studies into the culture.The reason for such phenomenon can be attributed to the unbalanced emphasis on studies of literature studies over artifact,the disproportionate emphasis on studies of post-Zhou period over studies of pre-Zhou period,and the unequal emphasis on studies of the culture that originates in middle and lower reaches of the Yellow River over studies of peripheral cultures during the period from 1600 B.C.to A.D.220.The author states that the Sanxingdui Culture demonstrates ＂the beauty of unreservedness＂ which is completely different from the Yin-Shang Culture and aesthetic studies into it will be able to provide embryological evidence and a new chapter for the multiple co-existence of Chinese aesthetics.