摘要
朗世宁的《塞宴四事图》,描绘了乾隆皇帝挙行盛大宴会的场面,在同一个画面中,表现了四个不同的内容,将伴宴、相扑、套马、赛马在同一时空中组合成几个不同时空的形象。来进行考察中西美术交流史上的融合与创新,同时该图也为后世留下了一幅有关清内府的珍贵的影像史料。
Lang Shining’s painting Saiyan Sishi Tu (Four Scenes of Banquet in Border Area) depicted the scene of Emperor Qianlong of the Qing Dynasty hav- ing big banquet. There were four different contents in just one painting. Accompanying eating, sumo, horse harnessing, horse racing, the four scenes were painted in one piece of paper but combined into fig- ures in different time and space, through which to explore the compromising and creation in the commu- nication history of Chinese and Western art, and left a precious historical image document about the life of the royal family in the Qing Dynasty.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2008年第1期27-32,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
朗世宁
塞宴四事图
什榜
布库
教跳
诈马
Saiyan Sishi Tu (Four Scenes of Ban- quet in Border Area), Shibang (Mongolia music), Buku (sumo), Jiaotiao (horse harnessing), Zhama (horse racing)