摘要
现存日本古典音乐中,存在一种横跨箏曲、地歌、尺八乐三类的所谓"三曲"或者叫"三曲合奏"的演奏形式。文章以1847年出版的斋藤月岑(1804-1878)的《声曲类纂》的第一卷《宽永(1624-44)正保(1644-48)年间六扇古画屏风图选萃》的绘画资料为根据,研究三曲合奏形式。
There was a special performance manner that called sankiyouku or sankiyokugasso in Japanese folk music existent, which means ensemble of koto, jiuta and shakuhachi. Based on the painting materials in Saitogesshin Seikiyokuruisan volume I, Handpick Six Folding Screens of Painting in the Ages of Kanei (1624- 1644) and Seho (1644-1648), published in 1847, the paper was on the researching this kind of performance way.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2008年第1期39-42,共4页
Huangzhong:Journal of Wuhan Conservatory of Music