摘要
《赛芦笙》是朱践耳1981年创作的交响组曲《黔岭素描》的第一乐章,力图通过作品曲式结构有独到之处,作品中充满了作曲家的复调结构思维,充满着深层次的无穷魅力。
The Sai Lusheng is the first movement of Zhu Jian＇er symphonic suite Qianling Sumiao composed in 1981. The writers try to find out the individual points of the work form structure, and pointed out that the work full of composer＇s counterpoint structural idea, which express the charming of deep level of the work.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2008年第1期86-90,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
朱践耳
《黔岭素描》
《赛芦笙》
三重赋格
曲式结构
Zhu Jian＇ er （Chinese composer, 1922-）, Qianling Sumiao （charcoal drawing of Guizhoumountain）, Sai Lusheng （competition of reed pipe）, trio fugue, form structure
