摘要
从传统美学"美是什么"的追问,转换为"美如何存在"的提问方式,对当代美学发展具有重要的哲学方法论意义。在西方现当代哲学发生范式转换的整体背景下,才可能理解从本体论美学向生存论美学转向的真实意蕴。生存论美学将艺术或美视为人类生存境域的一种呈现方式、展开方式或存在方式,认为美之存在与人之存在密不可分。只有在生存论视域下,美如何存在的问题,才可能提出、展开和解决。
The diversion from ＂what is beauty？＂ of traditional aesthetics to ＂how does beauty exist？＂ plays an important methodological role in the progress of contemporary aesthetics. It is against the entire background of the pattern diversion of western modern and contemporary philosophy that we can understand the true significance of diversion from ontological aesthetics to existential aesthetics. Existential aesthetics regards art or beauty as the appearance of mankind existing, considering that existence of beauty is always attached to that of mankind. Only from the existential point of view can we propose, unfold and solve the problem of how beauty exists.
出处
《辽宁大学学报（哲学社会科学版）》
北大核心
2008年第1期55-61,共7页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
关键词
本体论美学
生存论美学
生存论转向
审美存在
ontological aesthetics
existential aesthetics
existential turn
aesthetic existence
