摘要
传统的黑衣壮社会正处于与外部世界接轨的社会转型期中。本文通过对黑衣壮人的服饰观和音乐观的审美人类学调查,揭示了黑衣壮人在社会转型时期对传统文化的矛盾态度:既留恋着传统,又疏远传统,即使在年轻一代对传统的最激烈的反叛中,也依然隐藏着对传统的最深切的依恋。这是社会转型时期的一种典型的矛盾心态。透过社会转型时期的黑衣壮审美观,可以更清晰准确地把握这个族群的精神脉搏和这个社会的文化心态。
The traditional Black Costume Zhuang nationality is in the transference period of connecting with outer world. By investi-gating into the costume and musical viewpoints of the Black Costume Zhuang people in the vision of aesthetic anthropology, this paper is to reveal the contradictory attitude of the Black Costume Zhuang people towards traditional culture during the social transference period: they cherish tradition but also drift apart from it, and even in the most violating rebel of younger generation against tradition, the deepest cherishing of tradition is hidden inside. This is a typical contradictory state of mind in the social transference period,and through the aes- thetic view of the Black Costume Zhuang in this period,the spiritual pulse of this nationality group and its culture mind can be perceived more clearly and more correctly.
出处
《柳州师专学报》
2008年第1期8-12,共5页
Journal of Liuzhou Teachers College
基金
国家社科基金项目"从山野到都市--黑衣壮民歌的审美人类学研究"(05CZW002)
广西"十五"规划项目"黑衣壮审美文化研究"(04FZW007)的阶段性成果
关键词
社会转型期
黑衣壮
审美观
现代性
social transference period
the Black Costume Zhuang
aesthetic view
modernity