后现代境遇中马克思主义美学的主体命运

On the Subject Fate of Marxist Aesthetics in Post Modernist Circumstances

后现代主义和马克思主义的关系是亟须解说的问题,因为这既牵涉到对后现代思想的激进性的考量,也牵涉到对马克思主义在后现代语境中的适应性及创造性的把握。本文从马克思主义美学的主体范畴出发,考察这一范畴在后现代语境中的新意味。后现代主义思想家对马克思主义美学主体范畴的褒与贬,无论其公正还是偏颇,其意义在于呈现出一种对马克思主义美学的新理解,使马克思主义美学某些被忽略,甚至被遗忘的成分得以苏醒,这有助于把握马克思主义美学的当代价值。

The relationship between postmodernism and Marxism is an urgent issue to be interpreted, because it is involved in the evaluation of the radicalism of postmodernismt thought, as well as certainty of the adaptation and creation of Marxism in postmodernismt discourse. This paper starts from the subject catalogue of Marxist Aesthetlcs,observes new significance of this catalogue in postmodernismt discourse. Whether the praising or the censuring of the postmodernismt thinkers on the subject catalogue of Marxist Aesthetics are fair or not, their significance lies in showing a new understanding of Marxist Aesthetlcs,making the ignored or even forgotten constitutes of it alive, thus helping make certain about the contemporary value of Marxist Aesthetics.