摘要
自20世纪70年代末到现在的新时期,新创作的戏曲剧本有千部之多,然而最为人们欣赏的则是浸润着优秀传统文化的剧目,但许多剧作者在剧中无意识地宣扬了传统文化中的糟粕;以川剧《潘金莲》为代表的"思想剧",改变了戏曲通俗文艺的性质,使戏曲严重脱离了最普通的百姓;许多剧目过分追求故事的奇异性,又不注意细节的真实,使得内容缺少生活的依据与内在的逻辑性。
From the late 1970s to the new period of Chinese history, there have been more than 1 000 newly created opera scripts. However, the ones most enjoyed by people are still the scripts which can express the value of Chinese traditional culture. Among the above mentioned scripts, many writers propagandized the negative part of Chinese traditional culture. The "Thinking Drama" represented by the Sichuan opera named Pan Jin-lian has changed the nature of Chinese opera as a kind of light literature and made it seriously stay away from the common people. Many plays excessively seek the fantasticality of the story plot; meanwhile they attach less importance to the trueness of the detail. Therefore, this kind of play is not based on real life and internally illogical.
出处
《同济大学学报(社会科学版)》
2007年第6期41-48,共8页
Journal of Tongji University:Social Science Edition
关键词
新时期
戏曲
剧本
创作
评论
new period
Chinese opera
script
creation
criticism