论莎士比亚《李尔王》中的愚人、疯癫者及其他

On Follies and Madmen in Shakespeare

在莎士比亚的《李尔王》和其他一些剧本中愚人和疯癫者这两类典型人物是相辅相成、有同有异的。依据米歇尔.福柯的哲学观和审美论阐释《李尔王》和其他一些莎剧中两类人物所具有的共同意义,即都代表非理性对理性的反思和控诉,都体现超越生命意义的真善美,都富有强烈的审美意义。

This essay interprets two types of characters, follies and madmen, in Shakespeare from a critical perspective espoused by Michael Foucault, aiming to demonstrate the three common significances of them. That is, both two representatives of non-rationalism provoke the rethinking of and the charge against rationalism. Both function as revealing humanist theme of truthfulness, goodness and beautifulness. Both reflect aesthetic meaning.