摘要
新疆的国画人物画重在以写实手法来表现新疆少数民族人民的现实生活,画家都很注重到民族地区写生体验生活,因而画面比较亲切感人。同时新疆的国画人物画还是存在对题材的关注多于对画面本身的关注,从而导致对画面语言的探索较少,作品面貌相对来说较为单一的问题。
Xinjiang' s freehand portrait attaches importance to realistic approach to the performance of Xinjiang' s minority people in real life. Artists are painting on the national experience in life, thus their works is filled with human feelings. In Xinjiang at the same time there is still a decent portrait of concerning about the subject rather than the general appearance of drawing itself, teading to issue the less exploration of the drawing language and look relatively more single.
出处
《新疆艺术学院学报》
2007年第4期19-24,共6页
Journal of Xinjiang Arts University
关键词
新疆
当代
国画人物画
Xinjiang
Contemporary
Freehand portrait