德国古典美学使西方美学不断完备

German Classic Aesthetics Constantly Improves Western Aesthetics

西方美学在1750年独立以后经过了一个不断完备的过程,这个过程是在德国古典美学内部逐步进行的。康德在美学完备化的过程中迈出了第一步,就是把美学从认识论中解脱出来,使美学成为从认识向意志过渡的中介,从而使美学的独立性增强了,使美学成了"批判哲学"内部的有机组成部分;接着,席勒美学使美学走向客观化和现实化;然后,费希特美学使美学走向一元论;后来,谢林的美学使美学导向一元论的客观唯心主义;最终,黑格尔的美学使美学的完备化得以实现。

Western aesthetics has experienced a steady improvement since 1750 when it became independent. The process has been carried out step by step within German classic aesthetics. Kant has taken the first step in the course of the aesthetic improvement. The step is that Kant has set aesthetics free from epistemology, which makes aesthetics become the intermediary of transition from knowledge to will, thus strengthening aesthetic independence and enabling aesthetics to become a component part of ＂critic philosophy＂. Schiller＇ s aesthetics has made aesthetics advance towards objectivity and reality. Then, Fichte＇ s aesthetics has made aesthetics advance to monism. Later, Schelling＇ s aesthetics has made aesthetics advance to objective idealism of monism. In the end, Hegel＇ s aesthetics has brought aesthetic improvement to fruition.