当代叙事艺术的美学启示——论彼得·汉特克的小说《无以复加的不幸》

Aesthetic Enlightenment on Contemporary Narrative Art——A Comment on the Novel The Utmost Misfortune by Peter Handke

本文以奥地利当代著名作家彼得·汉特克的小说《无以复加的不幸》为分析对象,主要从艺术批评的角度论述这部作品创作艺术的基本特征,根据作品中大量的议论片段阐释作者在创作过程中对语言与创作、真实与虚构以及作家与表现对象之间的关系所持的态度和艺术原则,同时结合作品的表现体裁,探讨这位作家对当代叙事艺术的审美思考及其在文学创作方面的创新之处。

This thesis is an analysis of The Utmost Misfortune by the celebrated contemporary Austrian writer Peter Handke and a comment on the fundamental features of its creative art in the perspective of art criticism. Based on lots of extracts from the novel, it outlines the author＇s attitude and artistic guidelines in handling the relationships in the course of his literary creation between language and creation, between truth and fabrication and between the author and the protagonists. The paper also probes into the writer＇s innovations in literary creation and in the aesthetic thought of contemporary narrative art from the angle of the genre of literary expression.