怎样才能使马克思主义文艺学中国化？

On the Chinese Form of Marxist Literary Theory （Symposium）

一 马克思主义文艺学的中国化是近年来我国文艺学研究中的一个热门话题。这一话题的产生根本上来自于一种话语身份的危机：正如我们的文艺学研究总是陷在对于西方思想的引进和介绍之中一样，我国的马克思主义文艺学也总是不断地受到西方当代马克思主义思想的影响和吸引。不难看出，我们对待西方马克思主义的态度在不知不觉间已经发生了一种戏剧性的变化：在20世纪80年代，我们显然把自己以及整个社会主义阵营的马克思主义思想视为正统，

Zhu Liyuan proposes to select the related principles in Marxist classics and to apply them into the Chinese issues, so as to stimulate its vitality, and to have the effect in its Chinese form. Zhang Yongqing points out that the absence of the Chinese form of Marxist literary theory, especially by neglecting the sense of issues and the principle of context, makes a situation of today＇s insufficiency in the studies of Marxist literary theory. Su Hongbin holds that the Chinese scholars must get rid of the blind worship of Marxism, put aside theoretical bias, and to present the essence of reality in our consciousness, and only by doing that, can we realize the Chinese form of Marxist literary theory.