新媒体艺术的皱褶

The Twists and Turns of New Media Art

当罗伊·阿斯科特（RoyAscott）在1984年预见到一个”全球性、散漫化、脱离或避开体制束缚的联盟”的形成．新媒体艺术已经从最初被当作完成社会转型时期的文化乌托邦理想的手段之一．逐渐向社会学意义上的交互概念过渡。通过连接、参与、沉浸、互动、转化、显现等过程，正如阿斯科特所定义的那样．新媒体艺术从而呈现出其最鲜明的特质：电子化、连结性与交互性。这些特点能够使我们准确理解新媒体艺术的显在属性．也有助于在纷繁多元的新艺术形态里对其加以判断和甄别。

The appearance of every new media will bring new aesthetics problems, following the advanced technology, media art history will be upset, too. The media revolutions one by one make new media art develop unevenly, and incessant twists and turns make the name of ＂New Media Art＂ become unproper. Faced with the media in industrial age, artists intend to resist industrial images with a breaking and stirring attitude. In the new media art field, artists is not a class with privilege. The more obvious feature of new media art is cross-disciplinary and combination, which requires new media artists to obtain more comprehensive quality and complex background. Compared with the wide media range and field in the West, the present and future status of Chinese new media art still has its local reality and particularity. At present, the so-called ten years of Chinese new media art history is no more than an experimental image or video art history, the prospect of Chinese new media art is more hopeful.