言语并置的现代审视

The Modern Perspective on Parallelism

本文首先归纳了言语并置现象的源起和代表作家们对它的发展和论述。笔者把它纳入到"偏离"的理论框架,认为它是方向相反的偏离;接着充分运用英汉语例子重点阐述了并置所起的文体作用,并提出在文学欣赏和创作过程中要关注并置的程度,避免过度并置,从而最大限度地利用并置体现作品的"文学性"和作品主题。

This paper generalizes the origin of the stylistic term of parallelism and its extension by generations of stylisticians, and considers it as a form of deviation. The important part of it is devoted to the stylistic functions of parallelism, after which it points out that the degree of parallelism should be paid attention to and over-irregularity be avoided to increase the literariness of the article and better illustrate the author＇s writing purposes.