论刘熙载的诗歌美学——以《艺概·诗概》为核心

ON LIU XIZAI'S POETIC AESTHETICS——Taking "YiGai·ShiGai" as the Focus

以《艺概》著称于世的清代文学家刘熙载,将毕生论文艺的札记汇集于此,是对前代文艺批评的总结,本文选取其中的《诗概》为考察对象,从作者和读者两个角度探讨其诗歌美学。刘熙载的《诗概》作为中国诗歌理论的总结性作品,除了具有《艺概》所具有的总结性、全面性和公允性的特点外,同时刘熙载本人也不可避免地受到他的时代和前代的影响,将诗论笼罩于儒家诗教框架下,但是他所提倡的艺术源于生活、自然清新的风格对后人学习和鉴赏文艺作品所具有指导作用是很大的。

Liu Xizai, a famous literary writer in the Qing Dynasty, is famous for his YiGai （ The General Survey of Art） , which is a collection of all his notes on art and is a summary of earlier literary criticism. Through an investigation of ShiGai （ The General Survey of Poetry） , this article discusses his poetic aesthetics from the angle of both the writer and the reader. As a summary of Chinese poetic theories, ShiGai is as comprehensive and fair as YiGai , but Liu Xizai was not inevitably immune to the influence of his age and the former ages, and he put his poetic theory under the framework of Confucian poetry teaching. However, his advocation of art originating from life and the natural and fresh style is of great significance in guiding the later generations to study and appreciate literary works.