摘要
当代世界文化结构中汉文化层面之一的中国书法,在人类组织行为的理智倾向愈来愈靠近历史规律和自然规律的文明阶段,对人生和人世精神净化的吸收和释放功能越来越明显,仅从一般意义上诠释书法远不及从美学意义探讨书法来得更本质。中国书法发展有自己的规律,任何局部的积习与时尚,任何阶段的奇思与怪想,企图与之相比拼,只是一种可以理解的曾经、正在和可能的感情行为。
with human self-organization developing more and more reasonable to match with laws of history and nature, Chinese calligraphy, among the modern world' s culture, functions more distinct to absorb and spread the purification of human life and soul, so it's essential to study Chinese calligraphy in an esthetic sense but not in a common sense. Chinese calligraphy develops in its own rules, while every phase of fantastic theories is only the way of illusion in the past, the present or the future.
出处
《渭南师范学院学报》
2008年第1期93-94,共2页
Journal of Weinan Normal University
关键词
中国
书法
美学
China
calligraphy
esthetics