李东阳诗歌创作的转变倾向

A Study of Direction Changing on Li Dongyang's Poetic Creation

李东阳的诗歌创作既沿袭台阁体的面貌,也展现出一定的转向,宗杜是他重要的诗歌主张,与七子派的文学主张相一致。其诗歌创作中别有一种倾向,即欣赏、学习宋代、元代诗人。作于不同年代的两批集句诗则印证了李东阳宗宋的诗学观念,说明其诗歌创作由唐宋元兼顾转向以唐为主,同时宗宋的转向。

The poetry composition of Li Dongyang not only embodied features of Taige style, but also displayed his changed direction. The theory to study Dufu which coincided with The Famous Sevens was his dominant poetic viewpoint. Li＇s another way was to appreciate and study poets in Song and Yuan Dynasties. The two groups of Jiju poems created in different years testified his study-Song poetic idea and this illustrated his changing from Tang-Seng-Yuan poems to Song poems with Tang poems as its core.