摘要
以李商隐为代表的晚唐绮丽诗派,继承六朝以来"诗缘情而绮靡"等各方面的艺术传统并加以创格,在晚唐诗坛独领一代之风骚,成为唐诗由盛及衰历程中的一种回光返照。群体意识的弱化与个体意识的扭曲,构成了绮丽诗派的精神内核;细腻婉媚的形式美与抒情化倾向,则构成绮丽诗派的艺术表征。
The Gorgeous Poem Genre of late Tang Dynasty among which LI Shang-yin is regarded as the representative inherited forepassed various artistic tradition including "the poem is ornate as a result of sentiment" since the Six Dynasty and performed to create the new standard. So, they took charge of the poetic world alone in late Tang Dynasty and emerged as a kind of momentary recovery of consciousness just before death during their evolving course from prosperous to decadent. The weakening of colony consciousness and distortion of individual consciousness constructed the pneuma kernel of the Gorgeous Poem Genre. And the exquisite formal beauty and the lyrical tendency constructed the artistic token of the Genre.
出处
《信阳师范学院学报(哲学社会科学版)》
2008年第1期127-130,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
李商隐
绮丽诗派
精神内核
艺术表征
LI Shang-yin
the Gorgeous Poem Genre
pneuma kernel
artistic token