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“中和论”与“人格论”——论中国古典文学的主客体结构特性

The Theory of "Neutrality" and "Personality"——On the Characteristics of the Structure of the Object and Subject in Traditional Chinese Literature
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摘要 "中和"是中华民族古典文化艺术的核心范畴,铸就了中华民族的主导文化精神。艺术叙写人格,是中国古典文学的出发点和归宿点,因而"人格论"成为中国古典文学的重要特点。并且,二者都强调主客体之间的对话交流与结构关系,充分体现了中国古典文学追求人与社会、人与自然、人与自身和谐统一的主客体结构特性,对当前我们构建社会主义和谐社会有重大现实意义。 The theory of "Neutrality" is the core category and dominative spirit of traditional Chinese Literature. That arts describe personality is the start and end - result of traditional Chinese Literature, so the theory of "Personality" is the important characteristic of traditional Chinese Literature. Besides, both of them emphasize the dialogue and structural relation between the subject and the object, which fully reflects the Characteristics of the Structure of the Object and Subject in traditional Chinese literature pursuing the harmonious unity of human and society, human and nature, as well as human and himself. It has great prac- tical effect on constructing our harmonious socialism society.
作者 王丽 马龙潜
出处 《中国文学研究》 CSSCI 北大核心 2008年第1期35-38,共4页 Research of Chinese Literature
关键词 中和论 人格论 中国古典文学 主客体结构 Theory of Neutrality Theory of Personality Traditional Chinese Literature Structure of the Object and Subject
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