摘要
关注"当下"这个瞬间是中国当代艺术的核心,由此产生的当下性引入了新的颓废维度,并以自我边缘化的否定态度界定与其他艺术流派的关系。当前的现代化进程带来的高速都市化、大众社会与消费引导下的美学几个特点,冲击着艺术创作与批评、收藏。作为应对,艺术与建筑重申对空间的拥有;强化自身的个体性;关注弱势群体;展现市场的权力意志以及在互动中满足观众的艺术参与。这几种方式摹写出当下的瞬间映像,并逐步地发展出面对未来的新视野。
Chinese contemporary art revolves around the notion of the present, with the consequential momentaneity adds a new dimension of decadence. Its relationship with other schools is defined by negative delineation and self-enforced marginalization. The present modernization process comes with several features, which are rapid urbanization, mass society, and consumption oriented aesthetics, resulting in repercussions in art creation, criticism, and collection. In response, contemporary art and architecture reclaim space; enhance artist’s singularity, pay attention to the social vulnerable group, reveal power will of the market, and initiate participation through interactive works. These projects manage to map the full image of the momentary reflection of the current, and gradually further a new vision for the future.
出处
《时代建筑》
2008年第1期42-49,共8页
Time + Architecture
关键词
当代艺术
当下
当下性
颓废
高速都市化
大众社会
消费
Contemporary Art
the Present: Momentaneity
Decadence
Rapid Urbanization: Mass Society: Consumption