摘要
蒲松龄在《聊斋志异》中营造了一个由人鬼狐仙等组成的太虚幻境,其中包括了大量的人妖恋情故事。在这些故事中爱情的表现形式千姿百态,内涵也更加丰富,体现了文人情爱的复杂性。作者通过人妖恋情故事的描写,弥补了现实中对婚姻爱情生活的缺憾,并借助这种自慰式的幻想消遣寂寞时光,满足情爱欲望。同时,这些人妖恋情故事也充分体现了作者男权主义的视角及态度。
Pu Songling creates a world of fantasy, where people, ghosts and fairy foxes enter in Strange Tales from a Lonely Studio including a lot of love stories about people and bogeyes. In these stories, the modes of love expression are many and varied and the stories are rich in connotation, illustrating the complexity of scholar's love. The author's description of the love stories about people and bogeyes makes up the imperfection in the real life of marrige and love. The author attends to loiter away the lonely time and satisfy a wish for love with fantasy about consolving himself. At the same lime, the author embodies his view on male chauvinism in these stories.
出处
《新疆教育学院学报》
2007年第4期85-87,共3页
Journal of Xinjiang Education Institute
关键词
聊斋志异
人妖恋情
精神自慰
男权主义
Strange Tales from a Lonely Studio
love between people and bogeyes, spiritual consolation
male chauvinism