5Vattimo, Gianni. The end of Modernity: Nihilism and Hermeneutics in Postmodern Culture[M]. Baltimore: John Hopkins Univ Press, 1988.76.
6Zhen Zhang, "An Amorous History of the Silver Screen": Film Culture. Urban Modernity, and the Vernacular Experience in China, Ph.D. dissertation (University of Chicago, 1998); Miriam Bratu Hansen, Fallen Women, Rising Stars. New Horizons:Shanghai Silent Film as Vernacular Modernism, Film Quarterly 54.1 (2000): P10-22.
7Zhen Zhang, An Amorous History of the Silver Screen." Shanghai Cinema and Vernacular Modernism, 1896-1937 (Chicago, IL: University of Chicago Press, 2005.
8Yingjin Zhang (张英进) . ed., Cinema and Urban Culture in Shanghai, 1922-1943 (Stanford,CA: Stanford University Press, 1999).
9Laikwan Pang (彭丽君) . Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, 1932-1937 (Lanham, MD: Rowman and Littlefield, 2002).
10Zhen Zhang, Teahouse, Shadowplay,Bricolage: Laborers Love and the Question of Early Chinese Cinema,in Y. Zhang, Cinema and Urban Culture in Shanghai, P27-50.
