摘要
生态美学作为一门学科难以成立,但美学本身却对当下人与自然和谐被严重破坏的生态危机有着极其独特的意义。这种独特的意义不在生态美学理论借鉴生态学的思维方式和方法来研究美学问题,而在美学本身就是生态学甚至是深层生态学的。美学自然观是一种使自然"复魅"的自然观,美的事物和艺术本身是一种"让存在",美学在存在论意义上抵御了人的技术化存在方式,开显了人"诗意地栖居",从而在根本上牵制甚至克服了人与自然关系的恶化。
Ecological aestheticsis confronted with the difficulty of being set up as a subject, but aesthetics itself is of particular significance to ecocrisis between human and nature. Such does not lie in the research of aesthetics by way and in the mode of thinking in ecology, but in the fact that aesthetics itself is a kind of ecology, and to some extend a profound one. Aesthetic view of nature is something that makes nature "return to fascination"; art and beautiful things themselves are some kinds of "Sein-lassen", aesthetics in the sense of existentialism resists man' s technicalized living style and opens up man' s "poetic habitation", hence fundamentally checks even overcomes the deterioration of the relation between man and nature.
出处
《江汉大学学报(人文科学版)》
2008年第1期55-59,共5页
Journal of Wuhan Institute of Education