摘要
国内外一百多年的狄金森研究中存在许多争议,如她的诗歌来源、女诗人的身份、与男性诗歌传统的关系、诗歌的系统性以及女性诗人形象的建构。从女性美学的角度分析,这些争议的实质来源于男权美学对女性作家身分的凝视,存在着诸多局限。狄金森创作的价值正是对这种美学权威的消解。
There are many controversies in the study of Emily Dickinson at home and abroad for the past 100 years such as the origin of her poems, her identity as female poet, her relationship with male poems, the system of her poems and the establishment of female poet's image. Analyzed from female aesthetics, these controversies result from male chauvinism aesthetics' stare at female writer's identify, which has many limitations. The value of Dickson's creation lies in dissolving male chauvinism authority.
出处
《湖南文理学院学报(社会科学版)》
2008年第1期98-100,共3页
Journal of Hunan University of Arts and Science:Social Science Edition