摘要
杜甫的"沉郁顿挫"、陆游的雄浑悲壮与清新婉丽以及姚鼐的"阳刚阴柔"等美学风格,虽个人气质有别,提出时代不同,但其内核却有着极大的共通之处。甘曦于古诗文有五车之富,加之时代气氛影响、人生经历所致,他在情感上很自然地接受了这些前辈的理论主张。推而广之,中国优秀的传统美学在清末民初再度被广泛借鉴运用,有着活跃的生命力和广阔的理论空间。
The aesthetic such as the style that is grave and poignant of DU Fu;The style that is solemu,stirring and elegant of LU You ;And the style that is streng and graceful of YAO Nai,which were different temperament,and were brought up in different periods;But their aesthetic＇s cores were in common.GAN Xi was familiar with the proses and poems of chinese ancient period,adding times and person＇s experinece influented,so he accepted those aesthetic easily.In the other word,the experience of streng and graceful style were used widely in the late Qing Dynasty and early Republic of China.
出处
《湖南科技学院学报》
2008年第2期41-44,共4页
Journal of Hunan University of Science and Engineering
基金
广西研究生教育创新计划资助项目(编号2007106080501M14)
广西民族大学文学院研究生科研创新项目"论陈柱<粤西十四家诗钞>的学术精神"阶段成果
关键词
甘曦
美学渊源
阳刚阴柔
清末民初
GAN Xi
Aesthetic origin
The streng and graceful style
The late Qing Dynasty and early Republic of China
