摘要
从奇马布埃、乔托等出于本能地摹写自然的偶然运用到达·芬奇的新发展并在绘画中的完美应用,透视法几乎历尽了从萌芽到盛期的整个文艺复兴的历程。文章从透视法取得进展的四个关键时期以及各个阶段艺术家所取得的成就进行分析。
One of the greatest achievements of the Italian Renaissance is the re-discovery and applications of perspective, From the instinctively usage by Cimabue and Giotto to the new development and perfect application by Da Vinci in painting, it penetrated the whole process of the Renaissance. The thesis conducts analysis on the four crucial periods of the development of perspective and the achievements of the artists from different stages.
出处
《艺术探索》
2007年第4期38-39,共2页
Arts Exploration
关键词
文艺复兴
透视法
绘画艺术
Renaissance,Perspective,art of painting