“传神论”在绘画中的美学特征

The Esthetics Character of"A Vivid Touch"in the Painting

"传神论"作为中国绘画的基本理论和精神核心,由东晋画家及理论家顾恺之最先提出,是魏晋南北朝时期绘画史上重要的理论成果。时"传神论"的梳理和探讨,有助于我们更好地理解和把握这一时期"传神论"在绘画中所体现的美学特征。

As the basic theoretic and spiritual kernel,'a Vivid Touch'was first introduced by the Dongjin painter and theorist Gu Kaizhi.It is the important theory result of the painting history during the Wei,Jin,Northern & Southern Dynasties.The analysis and discussion of'a Vivid Touch'can help us well understand and grasp the esthetics character embodied from'a Vivid Touch'of this period in the painting.