从诗画合流看神韵说——兼谈王渔洋诗歌中的诗情画意

On the Theory of Spirits and Artistic Concepts Embodied in the Blending of Poem with Painting——The poetic perception in Wang Yuyang's poems

王渔洋吸收了南宗画家含蓄、飘逸、空灵的审美理念,丰富了自己的神韵说理论,并在其诗歌创作中遵循诗画合流的原则,表达了浓厚的诗情画意。

The absorption of the Southern-school painters＇ reticent, elegant and spacious aesthetic concepts enables Wang Yuyang to add new contents to his theory of spirits and artists concepts. Meanwhile, Wang follows the principle of blending poem with painting in his poetic creation to express his profound poetic perceptions.