试论中国现代话剧中的人道主义话语

Humanist Language of Modern Dramas of China

作为一种文学样式,中国现代话剧无疑也要体现一种人道主义情怀。然而,从五四时期开始,经"左翼"、抗战直到解放战争时期,中国现代话剧一直生存于一个泛政治化的战争环境中,战争把人当作重要的战争资源而着重强调其手段的性质,这就与主张"人是目的"的人道主义思想之间产生了裂隙,结果,人道主义话语被政治革命话语所压制和遮蔽。

As a style of literature,Chinese modern dramas undoubtedly embody humanist feelings,too. Since May 4th in 1919, Chinese modern dramas had been struggling to live in a pan-political environment during the period of the leftwing movement, anti-Japan war and liberation war. The war takes human being as an essential war resource. While placing great emphasis on the properties of its means which would inevitably contradict the humanitarian thoughts that holds ＂Human is the ultimate purpose＂. Consequently, the humanitarian language were concealed by the political and revolutionary languages, and could only hide themselves behind.