摘要
近年来,"80"后写作声名鹊起,震惊文坛,引起了社会各阶层很大的反响,成为当代中国转型期语境下的一种独特的文化现象。将之纳入审美文化视野中,探讨"80"后写作的内在审美取向及生成因子甚有必要,本文认为:对苍凉青春的诗性书写表现的悲情之美,反映了这一群体普遍的焦虑、迷惘、忧愁的心态;"陌生化"语言组织的文字盛宴呈现的奇幻之美,体现了他们内心拒斥历史——文化传统、渴望自由、个性表达的诉求;对社会现实、教育体制等的反讽叙事彰显的否定之美,凸现了他们对社会秩序、成人规则的反叛。
In recent years, writers who were born in the 80s have gained a widespread reputation and shocked our literary world. They have caused very great response from different levels of the society, which has formed a kind of unique culture phenomenon under the linguistic context in contemporary Chinese transformation period. Bringing it into visual field of aesthetic culture, it is very necessary to probe into aesthetic orientation and the factor of produce of their writing. This paper holds that they have displayed the beauty of a kind of sad feeling in the description of desolate youth, which has reflected their psychology of their being generally anxious, perplexed, sorrowful. The biochemical language of footpath between fields has demonstrated a kind of magical beauty which has reflected their heart refusing to upbraid the historical cultural tradition, thirsting for the demands of freedom and individual character expression. The ironical narration of social reality and structure of education has reflected a kind of beauty denial, which has shown their regular rebellion to civil order and adult's rules.
出处
《宝鸡文理学院学报(社会科学版)》
2007年第6期87-91,共5页
Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词
“80”后写作
审美取向
文化心态
生成因子
post- 1980s' writing
aesthetic orientation
cultural psychology
the factor of produce