郭沫若早期美学观与雪莱《为诗辩护》

Aesthetic Viewpoints in GUO Mo-ruo's Earlier Periodand Shelley's A Defence of Poetry

郭沫若早期美学观受到雪莱美学名著《为诗辩护》很大影响。郭沫若把雪莱强调的想象、感情情调结合起来,再加上雪莱所说的"诗的才能所含有的""本能性与直觉性"以及"武断地由想象产生的"语言,构成了他认为是诗的"本体"的几个因素。郭沫若的艺术社会职能观,在总体性的性质和特点上,同样受到雪莱明显而直接的影响。然而郭沫若也并没有以学院派的方式完整地接受雪莱的理论体系,两者在某些方面有着明显差异。

Aesthetic viewpoints in Mr. GUO Mo-ruo＇ s earlier period have been profoundly influenced by Shelley＇s A Defence of Poetry. GUO Mo-mo combines the imagination and sentiment that Shelley has stressed, together with some of Shelley＇ s opinions of language that are contained in ＂the instinct and intuition of the poetical faculty＂ and ＂arbitrarily produced by the imagination＂, both of which constitute Mr. GUO＇s ideas of poetry. GUO＇s views on social functions of the arts, in overall quality and character, have been significantly and directly swayed by Shelley as well. Nevertheless, it seems that GUO has not fully embraced Shelly＇ s theoretical system in the academic way, since they two have noticeable differences in certain respects.