摘要
《白毛女》的创作过程一波三折。就民族新歌剧的形式创制来说,不啻一次艺术探险。在组建民族国家的历史关头,延安迫切需要一种民族新形式作为新文化的旗帜。由于文化人与意识形态话语诉求之间的隔膜或错位,《白毛女》的初次排演全面告败。在明确了"民族新歌剧"的意图后,重新调整的创作组尝试了各种形式,试图在民族化与现代化之间寻求一种恰到好处的张力,以实现延安新文化的目标。
Bai Mao Nv underwent a challenging creation process. It is an artistic exploration from the aspect of the form innovation of new folk musical opera. At the historic moment of establishing a nation, Yan＇an badly needed a new ethnic form as a flag of new culture. Due to the gap between culture people and ideology language, the first performance of Bai Mao Nv turned out a complete failure. After understanding the purpose of new folk musical opera, the readjusted composing team tried various forms, attempting to seek the appropriate tense relation between nationality and modernization, in order to realize the goal of Yan＇an new culture.
出处
《河北大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第1期122-129,共8页
Journal of Hebei University(Philosophy and Social Science)
关键词
民族新歌剧
意识形态意义
民族化
现代化
new folk musical opera ideology significance nationality modernization
