摘要
在现当代文学发展过程中,文学的"大众化"问题是在理论上探讨过同时在创作实践中也始终存在的事实,但对于什么是大众化并没有统一的认识。本文认为,左翼主流作家、三四十年代的海派作家和八九十年代的一大批作家都对平民大众生活表示了关注,其创作都具有明显的大众化倾向,但因理解的角度和价值取向的不同,隐藏在文学大众化表象之后的分别是意识形态启蒙叙事、世俗化日常生活叙事以及个人化叙事等不同叙事诉求。
In the process of modern and contemporary literature development, the issue of mass culture has always been there not only from the perspective of theoretical discussion but also in the creative practice, but there has been no identical understanding about it. In fact, the Left-wing writers, Shanghai-styled writers in the 1930's to 1940's and a great number of writers in 1980's and 1990's, whose works had obvious tendency to the mass, all paid great attention to the livelihood of common people. However, due to the different angles of interpretation and value orientation, there are different narrative appeals including the narration of ideological enlightenment, the narration of secularized everyday life and personalized nar- ration hidden behind the representation of mass culture.
出处
《合肥师范学院学报》
2008年第1期88-92,共5页
Journal of Hefei Normal University
关键词
文学
叙事
大众化
意识形态
启蒙
世俗化
个人化
literature
narration
mass
ideology
enlightenment
secularization
personalization